Analysis Of Scott Joplin s Maple Leaf Rag - 858 Words

Scott Joplin was a composer and pianist of ragtime who was born in the late 1860s near the border of Texas. He learned to play the piano as a young adult and started to travel with his amazing talent while he was young. He is known as the king of ragtime during his generation. He is famous for writing 44 ragtime pieces during his lifetime. He wrote one ballet and two operas as well, and one of his pieces called â€Å"Maple Leaf Rag†, eventually was one of the most well-known ragtime pieces of the time. Joplin moved to Missouri to teach piano. Julius Weiss tutored Scott Joplin when he was a young boy. Joplin began to be introduced to classical and folk music from her. He taught several people like Arthur Marshall and Brun Campell to compose ragtime music there. He eventually died later in his life in the city of New York in 1917 at the age of 49. In Scott Joplin’s ragtime pieced â€Å"Maple Leaf Rag†, it is compiled with several melodic motives that have small pieces of sounds repeated to play a rhythm. About every six seconds there is a â€Å"swung note† that is played in a long. Joplin likes to include a lot of syncopation into his piece as well during â€Å"Maple Leaf Rag†. Syncopation is the variety of beats that are unexpected in a musical piece. The sounds that are repeated happen in repetition. Joplin’s melody is repeated by a strand of notes, and his music is played at a fast pace rhythm because of this. He repeated the same rhythmic pattern again in his song during the